Listening Tour Concept (page 3 of 3)
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The Listening Tour process involves the following three phases:
Phase I
Research & Site Selection
The Listening Tour project team gathered information about projects,
organizations and communities around the country where collaborative
efforts are underway or seriously contemplated. The team used
this information to identify up to six communities who were
invited to sponsor a local screening of "Downside UP."
Phase II
Local Screenings
The Tour team collaborated with local sponsors in the communities
to prepare for and hold the screenings. These sessions were
designed not only to explore broad conceptual questions but
also to reflect issues of practical concern to the specific
local context. Examples of other successful projects using art,
culture, public space in community are also illustrated. The
local screenings took place at: Asociación de Músicos
Latino Americanos (AMLA), Philadelphia; Guadalupe Cultural Arts
Center, San Antonio; Little Black Pearl Workshop, Chicago; HandMade
in America, Asheville, NC; The Point, Bronx; and Wing Luke Asian
Museum, Seattle.
download screening flier
Phase III
MASS MoCA Tour & Ford Foundation Convening
Practitioners from around the country, specifically those from
sites where screenings were held, were invited to tour MASS
MoCA, engage with North Adams' practitioners and then participate
in a Convening hosted by the Ford Foundation. Those attending
the MASS MoCA tour will participate in a "philanthropy exercise,"
in which they will evaluate North Adams and MASS MoCA as a strategic
investment. Those attending the Convening will engage in a substantive,
facilitated discussion to detail what has been learned from
the screenings; articulate a vision of whether and how this
work can be an economic impetus in distressed neighborhoods;
and envision what future support of this collaborative work
might look like. In the month following the "Downside UP" Listening
Tour, the team will prepare a Final Report which will summarize
the learning and understanding of what these communities are
doing, frame the question of art, culture, public space and
community development and define next steps.
National Advisory Board
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